At precisely eight hours, Kevin Jerome Everson's Park Lanes (LFF 2015) is a work of intense situational continuity, observing the...

From Johnny Mnemonic (1995) to eXistenZ (1999), the '90s vogue for tactile tech thrillers has now been memeified out of all...

Jeremy Saulnier's Blue Ruin (2013) begins in media res, advancing with the tension of stretching a coiled slinky into garrotting...

Great films are transportive - they cultivate a sense of time and place that feels lived-in and specific, and use...

With remarkable confidence for his feature debut, László Nemes has located a cinematic language to grapple with the urgency of...

The first floor of the apartment block, through which all tenants must pass, is where the crime took place. On...

Two years after an intimate tragedy shot tremors through a rural Swedish community, teenager John (Ulrik Munther) is released from a...

Scalarama, the dizzyingly eclectic cross-country repertory exhibit which overruns every UK cinephile’s September calendar, is about to launch its fifth...

Like The Last Picture Show, his monochrome tapestry detailing the economic and emotional stagnation of a post-war Texan community, Peter...

Reorienting the themes of Hitchcock's binary women-in-peril pictures, Vertigo (1958) and Marnie (1964), Christian Petzold's Phoenix is a fraught, horror-tinged...