Sunday, June 26, 2022
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
FLICKFEAST
No Result
View All Result
Home Feature

Your Highness (2011)

Olly Buxton by Olly Buxton
April 11, 2011
in Feature, Film Review
14
SHARES
1.4k
VIEWS
Share on FacebookShare on Twitter

How … why … who … what…?

What just happened there?

You might also like

Elvis (2022) – Film Review

The Black Phone (2022) – Film Review

Lightyear (2022) – Film Review

Why am I laughing?

What, in the vernacular, the fuck was that?

Your Highness is wrong on so many levels. It ought to be a disaster. For reasons I can’t fathom, it isn’t. It is absurd, gratuitous, vulgar, childish, stupid and utterly incongruous. And I thought it was great.

Natalie Portman playing against Danny McBride: what kind of fevered imagination comes up with that sort of an idea? What sort of miracle worker makes it actually happen? What sort of genius makes it work?

And that’s just the start: There are jarring conflicts everywhere you look. Animal husbandry: You may cross a horse with a donkey and get a mule, but some hybrids just don’t go: You don’t play a Black Swan against Kenny Powers. You don’t cross The Princess Bride with Animal House. If you do, you sure as hell don’t throw in Bad Taste for good measure. You don’t blow millions on Industrial Light & Magic style digital effects one moment and then fill the screen with a cheap rubber alien wizard (a dope-smoking, kiddie-fiddling alien wizard at that) that looks like it came from a joke shop the next. You can’t rely on non-expectant swearing and expect to get away with it. At least, not fifty times. But all in all, it seems to work.

Danny McBride – last seen heading Eastbound and Down, more or less reprises Kenny Powers, complete with mullet and goatee (no method actor, Mr McBride, I dare say), only here he is a useless younger prince in a mediaeval kingdom in a land far, far, far away. On a different planet, indeed: there is a twin moon, and it is important to the plot (I suppose you could call it a plot).

Unlike most mediaeval kingdoms this is one where everyone intones smutty innuendos with English accents that come and go like rotating speakers. Kenny – I mean, Thadeous – is more or less Blackadder to Fabious’ Prince Harry. Fabious (James Franco, swashing his buckles for all he is worth and for some reason channelling Steve Tyler from Aerosmith) has a whale of a time as a slightly dopey hunk. They are pitted against evil warlock Leezar (a superb Justin Theroux) a criminally under-explained villain who has bad teeth, worse hair, and who also has a whale of a time, vacillating between occult power and sexual impotence (there are knob jokes aplenty here). Theroux’ delivery of his actually pretty ordinary material is spot on.

Along the way there are entirely gratuitous scenes of every dimension: sand encrusted nude barbarian vixens in the thrall of a large fat pink sorcerer (John Fricker) in a nappy, in a Thunderdome. Much violence, and more gay innuendo. Did I mention there are lots of willie jokes? There are the occasional outrageous visual gags. There’s a frisky minotaur. There is a scheduled coming together of the moons which will result in a rare event called … – well, you’ll just have to see it, because I don’t want to spoil it. Totally immature, but still I just about wet myself.

Natalie Portman boxes on far more gamely than anyone has any right to expect a recently minted Oscar laureate to. I constantly found myself wondering what on earth had possessed her to sign up for this project – perhaps relaxation therapy after a long dose of Darren Aronofsky – but being eternally grateful that she had. She is a tremendous sport throughout, and my regard for her is undoubtedly enhanced.

I have complained in these pages about the reliance on rote, formula and technology in place of proper drama in modern motion pictures. No complaints on that score here: while there’s absolutely no proper drama on speak of, you couldn’t fault David Gordon Green and his team for showing a bit of spirit. Instead of a tightly followed plan, there’s no plan at all (Do you think my methods are unsound? I don’t see any method at all, sir).

But when the alternative that passes for comedy these days is Meet the Spartans and Little Red Riding Hood (At least, I can only assume that’s intended to be a comedy) then this has to come well recommended.

Leave your maiden aunt, your kids or your critical faculties at home, come for a laugh and you’ll have a blast.

Director: David Gordon Green
Stars: Danny McBride, Zooey Deschanel, James Franco
Runtime: 102 min
Country: USA

Film Rating: ★★★½☆

Tags: adventurecomedydanny mcbrideDavid Gordon GreenfantasyJames FrancoYour HighnessZooey Deschanel
Olly Buxton

Olly Buxton

Olly lives amongst the lush olive groves and cypress trees on the slopes of Mount Muswell, just north of London, where he has a thirty five acre lifestyle orchard and farm with lifetime partner Bridget and their small ('but growing!') herd of alpacas. When he's not darting around the corniches of Hamstead and Highgate on his convertible BSA motorcycle ('it's more of a cabriolet, really') or tasting his latest batch of extra virgin oil with the orchard's head oliculturalist, Ned, Olly researches for his forthcoming novel, a science fiction fantasy in which, courtesy of a time machine, it is David Bowie and not namesake Jim who is left to defend the Alamo from the siege of the Mexican Army. A committed Radical Marxist Ironist, Olly made his fortune during the world-wide anti-capitalist riots of 1999 on the back of the simple but ingenious idea: selling packed lunches and bottles of diet coke to hungry protesters at a huge mark-up. "FeedtheCommie.com", as he styled his fledgling business, quickly became an enormously profitable multinational operation, quenching thirsts and filling bellies of protesters, dissidents, exiles and other militant intellectuals during times of civil unrest and civil protest in thirty six countries around the globe, from its headquarters in Seattle. The company also secured lucrative sponsorship deals with (among others) Amnesty International, Greenpeace and the Socialist Workers' Party. Olly then consolidated his net worth by securitising the income streams from FeedtheCommie.Com, negotiating a successful IPO and selling his entire holding ('mostly to student Marxist Radicals I had befriended, I would point out') at the top of the market. As of its public debut, FeedtheCommie.com is yet to make any revenue and is currently trading at 6 per cent of its par value. Nevertheless, Olly doesn't feel too bad about the sub-class of bankrupt Marxists he has created. "It's what they would have wanted". Now the second richest man in the world, Olly has settled into a life of writing political philosophy, voyaging on journeys of self discovery ('I find something new about myself every day. This morning it was dandruff'), and ceramic painting (pointillism).

Related Posts

Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

by Dallas King
June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

by William Stottor
June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

by Dallas King
June 16, 2022
Swan Song (2021) – Film Review
Film Review

Swan Song (2021) – Film Review

by William Stottor
June 15, 2022
Jurassic World: Dominion (2022) – Film Review
Film Review

Jurassic World: Dominion (2022) – Film Review

by Dallas King
June 11, 2022

Recommended

I Am Number Four (2011)

December 10, 2021

Dead By Dawn 2011 – The Short Program

October 29, 2016

Don't miss it

Father of the Bride (2022) – Film Review
Reviews

Father of the Bride (2022) – Film Review

June 25, 2022
Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

June 16, 2022
Swan Song (2021) – Film Review
Film Review

Swan Song (2021) – Film Review

June 15, 2022
Jurassic World: Dominion (2022) – Film Review
Film Review

Jurassic World: Dominion (2022) – Film Review

June 11, 2022
flickfeast

Whetting your appetite for cinema with the best film reviews and features since 2009

© Copyright - flickfeast. All Rights Reserved.

No Result
View All Result
  • Home
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute

© Copyright - flickfeast. All Rights Reserved.

Posting....