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Home Feature

In Order of Disappearance (Kraftidioten) 2014

Olly Buxton by Olly Buxton
April 11, 2020
in Feature, Film Review
In Order of Disappearance (Kraftidioten) 2014
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“In Order of Disappearance” is not a memorable title for a movie, but it’s  a better one than “Prize Idiot”, which is the literal Norwegian translation of “Kraftidioten”. It is a film-maker’s in-joke, of course, and director Hans Petter Moland certainly has some fun with it as the credits roll.

Moland and his cast have quite a lot of fun throughout the film, in fact, which is not what you’d expect from a violent revenge thriller set in the arctic reaches of Norway.

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Stellan Skarsgård is Nils Dickman, the snow-plough driver in the ski-resort of Beitostølen. When it comes to snowploughs they don’t do things by halves in the Arctic Circle, and Nils drives one big bastard of a snowplough. It can shift forty tons of snow an hour, and it throws it thirty five metres. It comes in handy, and no-one calls him names to his face. Indeed, despite his unfortunate surname (we are informed its Norwegian translation is “cock man”!) Nils’ position is of such utility in this community that he has been voted citizen of the year.

Nils’ (innocent) son is mixed up in a drug smuggling turf war and killed. When his wife walks out, her folded note containing no words at all, Nils forsakes his life of upstanding community service and sets about avenging the boy’s death.

Kraftidioten1

This involves picking off the lower order gangsters employed by Greven (Pål Sverre Hagen, chewing almost as much scenery as Nils’ snowplough) one by one – hence the order of disappearance. This is carried out in brutal fashion, but cut with mordant humour as dry and chill as the local weather. Things go swimmingly until Greven unwisely attributes Nils’ activity to a crew of local Serbians, who do not take kindly to their guy being strung up on an elevation sign on the highway out of town. Little was Greven to know that 1389 – the altitude displayed in the sign – happened to be the date of the Battle of Kosovo, in which the Ottomans routed the Serbians and enslaved their lands. Serbians, led by their Papa (the ever-wonderful Bruno Ganz) are not amused.

Cue bloody, but hilarious, mayhem. Skarsgård and Ganz are the only ones who play it entirely straight; the supporting cast has a riot. There is a glorious nod to Fargo in the final scene which rounds the tone nicely.

If I had a reservation it would be a purely commercial one: Moland would get a far wider global distribution were this film scripted largely in English: Skarsgård and Ganz both have easily enough of a following in the US for this film to rate interest there,  all Scandinavians in their home audience understand English perfectly well, and large parts of the film are subtitled in English (or Serbian) in any case.

In Order of Disappearance is in cinemas 12th September 2014.

Director: Hans Petter Moland
Stars: Stellan Skarsgård, Pål Sverre Hagen, Bruno Ganz, Birgitte Hjort Sørensen, Anders Baasmo Christiansen, Jakob Oftebro, Peter Andersson
Running time: 116 min
Country: Norway

Film Rating: ★★★★☆

Tags: Anders Baasmo ChristiansenBirgitte Hjort Sørensenbruno ganzHans Petter MolandJakob OftebroPeter AnderssonPål Sverre HagenStellan Skarsgård
Olly Buxton

Olly Buxton

Olly lives amongst the lush olive groves and cypress trees on the slopes of Mount Muswell, just north of London, where he has a thirty five acre lifestyle orchard and farm with lifetime partner Bridget and their small ('but growing!') herd of alpacas. When he's not darting around the corniches of Hamstead and Highgate on his convertible BSA motorcycle ('it's more of a cabriolet, really') or tasting his latest batch of extra virgin oil with the orchard's head oliculturalist, Ned, Olly researches for his forthcoming novel, a science fiction fantasy in which, courtesy of a time machine, it is David Bowie and not namesake Jim who is left to defend the Alamo from the siege of the Mexican Army. A committed Radical Marxist Ironist, Olly made his fortune during the world-wide anti-capitalist riots of 1999 on the back of the simple but ingenious idea: selling packed lunches and bottles of diet coke to hungry protesters at a huge mark-up. "FeedtheCommie.com", as he styled his fledgling business, quickly became an enormously profitable multinational operation, quenching thirsts and filling bellies of protesters, dissidents, exiles and other militant intellectuals during times of civil unrest and civil protest in thirty six countries around the globe, from its headquarters in Seattle. The company also secured lucrative sponsorship deals with (among others) Amnesty International, Greenpeace and the Socialist Workers' Party. Olly then consolidated his net worth by securitising the income streams from FeedtheCommie.Com, negotiating a successful IPO and selling his entire holding ('mostly to student Marxist Radicals I had befriended, I would point out') at the top of the market. As of its public debut, FeedtheCommie.com is yet to make any revenue and is currently trading at 6 per cent of its par value. Nevertheless, Olly doesn't feel too bad about the sub-class of bankrupt Marxists he has created. "It's what they would have wanted". Now the second richest man in the world, Olly has settled into a life of writing political philosophy, voyaging on journeys of self discovery ('I find something new about myself every day. This morning it was dandruff'), and ceramic painting (pointillism).

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