In mainstream cinema, BDSM has always been depicted between men and women. These range from the Fifty Shades trilogy to Secretary and, more recently, Babygirl. Yet no one has really explored it in same-sex relationships. The 2014 erotic drama The Duke of Burgundy focuses on it between women, but nothing really comes to mind regarding mainstream films about male BDSM relationships. British filmmaker and BAFTA nominee Harry Lighton is on hand to enlighten audiences with kinky romantic-comedy Pillion, starring Harry Melling and Alexander Skarsgård.
Based on the 2020 novel Box Hill by Adam Mars-Jones, the film sees shy singleton Colin (Melling) spend his time working as a traffic warden and singing in a barbershop quartet. He is also gay and out, so his terminally ill mum Peggy (Lesley Sharp) sets him up on blind dates but they are mostly unsuccessful. One night, he is quietly approached by biker Ray (Skarsgård), who invites him for an awkward hookup on Christmas Day. The two soon embark on a BDSM relationship that not only challenges Colin’s limits but also his need for affection.
Seeing the relationship through BDSM newbie Colin is not so much a sexual awakening but an awkward stumble into a very deep pool. Starting off as a fumbling blowjob in an alley, the nature of the relationship becomes obvious when Ray orders him around with a firm nonchalance. Ray, on the other hand, fits comfortably into the dominant role with a stern look and a power pose that showcases his ‘impossible handsomeness’, which makes Colin all the more eager to please him. As their relationship becomes increasingly comparable to other bikers (shout out to the Gay Bikers Motorcycle Club, who both acted in the film and served as advisers), Colin’s growing love for Ray leads to a matter of give and take, which proves to be difficult, considering that there is no room in Ray’s life for romance.
In his debut feature film, Lighton keeps the narrative light through his distinctly British screenplay and direction. The dialogue emanates eloquently delivered wit and comedy, which range from Colin’s general awkwardness and witty comebacks expertly delivered by Sharp. Meanwhile, the visuals incorporates a sense of comedy through its bold display of BDSM, as shots such as a campsite row of bare asses or an incredibly physical wrestling match (also, ass-out) are sure to evoke giggles and perhaps the odd bout of blushing.
Known for his roles in The Northman and TV series True Blood, Skarsgård has never been better. Imbuing indifference in a broody look, his confidence and quiet intimidation make him a controlled character who doesn’t dare to break down his barriers to avoid unravelling. He and Melling also share a depth of trust on-screen to portray the respective dominant and submissive while conveying Lighton’s dialogue with humour. As for Melling, the choice to pursue more daring performances is paying off, as it displays his adaptability as an actor. Although he comes across as doe-eyed and fiddly, there is a conviction in his eyes to make him stand out as a presence who cannot be not ignored.
Pillion may not be to everyone’s tastes but it is a stellar directorial debut feature for Lighton. Funny, sexy and occasionally surprising, Melling and Skarsgård shine in a tale about finding what works in a relationship – and opening your eyes to something different.
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Director: Harry Lighton
Stars: Harry Melling, Alexander Skarsgård, Lesley Sharp, Douglas Hodge
Runtime: 107 minutes
Country: UK
