Monday, June 27, 2022
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
FLICKFEAST
No Result
View All Result
Home Festivals

FRIGHTFEST 2019: The Magnificent Obsession of Michael Reeves (2019) Film Review

Cleaver Patterson by Cleaver Patterson
August 28, 2019
in Festivals, Film Review
FRIGHTFEST 2019: The Magnificent Obsession of Michael Reeves (2019) Film Review
15
SHARES
1.5k
VIEWS
Share on FacebookShare on Twitter

The world of the arts – music, literature and painting – is full of practitioners who died before their time. If Mozart, Keats or Van Gogh had lived longer, who knows what further masterpieces they would have given the world. The same, if not more so, can be said about the field of film – the number of talented writers, directors and movie stars who died untimely deaths is endless. Take for instance Michael Reeves, the subject of the new documentary The Magnificent Obsession of Michale Reeves. During his short career – which spanned a mere ten years – the British director of such horror classics as The Sorcerers (1967) and Witchfinder General (1968) created more iconic screen memories, than many less talented filmmakers who have lived, and worked, well past their sell-by-date.

Having only directed three full length features, The She Beast (1966), The Sorcerers and Witchfinder General – he was also involved with the Christopher Lee chiller The Castle of the Living Dead (1964), though was uncredited for it – you might think a documentary on Reeves would feel stretched over a ninety minute running time. But not so as, after the usual childhood preamble – Micheal, an only child from a comfortable background who’s father died when he was young, was encouraged by his freethinking mother to express himself in whatever way he wished – most of the film is spent analysing the filmmaker through extended discussions on each of the three films.

You might also like

Nitram (2022) — Film Review

Elvis (2022) – Film Review

The Black Phone (2022) – Film Review

Instead of the usual documentary style, featuring input from ‘experts’ who put in their pennyworth on subjects of which at best they only have second-hand knowledge, here time is given over to those who actually knew and worked with Reeves – in the main his friends and frequent collaborators, actor Ian Ogilvy and screenwriter and cinematographer Tom Baker, and girlfriend Ingrid Cranfield. With first hand input they paint a picture of a troubled, introspective young man, who was a genius behind the camera producing some of the finest, most influential examples of not just the horror genre, but also British cinema as a whole. They also through their discourse put to bed many apocryphal rumours surrounding Reeves, such as those concerning his working relationship with actor Vincent Price, who he directed in the acclaimed Witchfinder General, as well as the suspicions surrounding his tragic death.

Illustrated with film footage and countless rare photographs, The Magnificent Obsession of Michale Reeves is a fascinating look at one of cinema’s most enigmatic figures. As such it will make for intriguing viewing not just by fans of Reeves, but also those new to the work of this talented and much mourned filmmaker.

Directed by: Dima Ballin
Starring: Gavin Baddeley, Tom Baker, Ingrid Cranfield, Kat Ellinger, Steve Haberman, Benjamin Halligan, David Huckval, Ian Ogilvy
Run Time: 86 minutes
Studio: Diabolique Films
Country: USA

Film Rating: ★★★★★

Tags: Benjamin HalliganDavid HuckvaleDima BallinFrightFest 2019Gavin BaddeleyIan OgilvyKat EllingerMichael ReevesSteve HabermanThe Magnificent Obsession of Michael ReevesTom Baker
Cleaver Patterson

Cleaver Patterson

Cleaver loves movies and watches most things, though he favours films with a darker air. A contributor to various books, magazines and websites, he has written for The Sunday Times Magazine, L.A. Review of Books and We Belong Dead Magazine amongst others. His book - Don't Go Upstairs! A Room-by-Room Tour of the House in Horror Movies - which studies the role of the house in horror cinema, was recently published by McFarland.

Related Posts

Nitram - review
Film Review

Nitram (2022) — Film Review

by Johannes Black
June 27, 2022
Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

by Dallas King
June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

by William Stottor
June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

by Dallas King
June 16, 2022
Swan Song (2021) – Film Review
Film Review

Swan Song (2021) – Film Review

by William Stottor
June 15, 2022

Recommended

Paddington Film Review

Paddington (2014)

March 19, 2018
The Father (2020) – Film Review

The Father (2020) – Film Review

May 7, 2021

Don't miss it

Nitram - review
Film Review

Nitram (2022) — Film Review

June 27, 2022
Belle (2021) - Home Entertainment Review
HE Reviews

Belle (2021) – Home Entertainment Review

June 27, 2022
Father of the Bride (2022) – Film Review
Reviews

Father of the Bride (2022) – Film Review

June 25, 2022
Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

June 16, 2022
flickfeast

Whetting your appetite for cinema with the best film reviews and features since 2009

© Copyright - flickfeast. All Rights Reserved.

No Result
View All Result
  • Home
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute

© Copyright - flickfeast. All Rights Reserved.

Posting....