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Home Reviews Film Review

Lawn Dogs (1997)

Olly Buxton by Olly Buxton
April 15, 2011
in Film Review
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Roger Ebert memorably described Lawn Dogs as resembling an accident at the symbol factory, and it’s hard to disagree.

It is an interesting fairy-tale – literally – with 10 year old Devon, in a voice over, intoning the story of Babi Yaga the evil child-stealing witch who lives in a forbidden forest, while herself venturing (from a treeless home) into the forbidden wood (perhaps symbolic of the threshhold of adolescence).

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Except that, as it becomes clear, enchanted wood-resident lawnmower man Trent isn’t Babi Yaga, but one of her potential victims. That this is the intent of the film is made clear in the final seconds when the film’s studied realism is completely abandoned to allow the hero to make good his escape with some rather unconvinving special effects.

Well, it’s a nice idea, but it’s uneven and not fully worked out. There are some curious and underdeveloped side-strands: especially Devon’s mother’s sexual proclivities (except to the extent this identifies her with the witch) and some shallowly-buried insinutations of sexual tensions between Trent and local spoilt rich kid Sean, who were apparently once third-grade classmates.

What rescues Lawn Dogs from incoherent oblivion is the compelling performance from the two leads, a great soundtrack and effectively marshalled dramatic tension: thematically we’re in dangerous territory, with an adult-child/poor boy-rich girl relationship developing in the heart of a (somewhat caricatured) reactionary community, and director Duigan draws us into the inevitable unpleasant denouement skilfully.

As the credits roll, it’s a bit of a head scratcher, but it’s done with enough style that it deserves the benefit of the doubt.

Director: John Duigan
Stars: Sam Rockwell, Kathleen Quinlan, Mischa Barton
Runtime: 101 min
Country: UK

Film Rating: ★★★½☆

Tags: dramaJohn DuiganKathleen QuinlanLawn DogsMischa BartonSam Rockwell
Olly Buxton

Olly Buxton

Olly lives amongst the lush olive groves and cypress trees on the slopes of Mount Muswell, just north of London, where he has a thirty five acre lifestyle orchard and farm with lifetime partner Bridget and their small ('but growing!') herd of alpacas. When he's not darting around the corniches of Hamstead and Highgate on his convertible BSA motorcycle ('it's more of a cabriolet, really') or tasting his latest batch of extra virgin oil with the orchard's head oliculturalist, Ned, Olly researches for his forthcoming novel, a science fiction fantasy in which, courtesy of a time machine, it is David Bowie and not namesake Jim who is left to defend the Alamo from the siege of the Mexican Army. A committed Radical Marxist Ironist, Olly made his fortune during the world-wide anti-capitalist riots of 1999 on the back of the simple but ingenious idea: selling packed lunches and bottles of diet coke to hungry protesters at a huge mark-up. "FeedtheCommie.com", as he styled his fledgling business, quickly became an enormously profitable multinational operation, quenching thirsts and filling bellies of protesters, dissidents, exiles and other militant intellectuals during times of civil unrest and civil protest in thirty six countries around the globe, from its headquarters in Seattle. The company also secured lucrative sponsorship deals with (among others) Amnesty International, Greenpeace and the Socialist Workers' Party. Olly then consolidated his net worth by securitising the income streams from FeedtheCommie.Com, negotiating a successful IPO and selling his entire holding ('mostly to student Marxist Radicals I had befriended, I would point out') at the top of the market. As of its public debut, FeedtheCommie.com is yet to make any revenue and is currently trading at 6 per cent of its par value. Nevertheless, Olly doesn't feel too bad about the sub-class of bankrupt Marxists he has created. "It's what they would have wanted". Now the second richest man in the world, Olly has settled into a life of writing political philosophy, voyaging on journeys of self discovery ('I find something new about myself every day. This morning it was dandruff'), and ceramic painting (pointillism).

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