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Home Reviews Film Review

LFF 2018: Burning (2018) Film Review

Katie Smith-Wong by Katie Smith-Wong
October 21, 2018
in Film Review
Burning
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Over the last couple of years, Korean-American actor Steven Yuen has quietly made a name for himself. After he left the Walking Dead in 2016, he has starred in action horror Mayhem, acclaimed drama Okja and this year’s crazy sci-fi comedy Sorry to Bother You. His latest role sees him star in a mystery drama by Lee Chang-Dong, which won the FIPRESCI Prize at this year’s Cannes Film Festival.

Burning follows aspiring writer Jeng-su (Yoo Ah-in), who unexpectedly reunites with childhood friend Hae-Mi (Jeon Jong-seo) before she goes on a trip to Africa. When she returns to South Korea, she appears with the charismatic and wealthy Ben (Yuen), causing Jeng-su to become jealous. This quickly becomes concern when Hae-mi mysteriously disappears without a trace.

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At first glance, Burning comes across as an awkward love triangle – loner Jeng-su versus the dashing Ben, with Hae-mi in the middle. Despite her good looks, her need to be noticed and admired only fuels a sense of insecurity that inadvertently antagonises a jealous Jeng-su. During this first act, Chang-dong and Oh Jung-mi’s screenplay delivers awkwardly aimless moments and conversations that subtly hint at Ben’s darker side.

It is easy to dismiss Jeng-su’s rivalry with Ben (a creepily wonderful Yuen in a rare Korean-speaking role) as jealousy, which is not helped by the latter’s looks or wealth. Instead, it is Ben’s quick dismissal of Hae-mi’s character after she disappears and his cool detachment that arouses Jeng-su’s suspicions.  Yoo Ah-in’s determined performance sees the character transformed into an endearing hero. With very few friends and his ‘inaccessible’ parents, Hae-mi is the only one Jeng-su effectively connects and so, is quickly driven to act. His ‘investigation’ quickly shapes the film into a noir-style narrative that becomes an unexpectedly tense yet satisfying drama.

Behind the camera, Hong Kyung-pyo provides beautiful, eye-catching cinematography that nicely complements Chang-Dong’s simple yet effective direction, building the tension to a sudden, unexpected climax.

Despite the uneven narrative, Burning is a visually striking slow-burner of a mystery with three intriguing performances.

Director: Lee Chang-dong
Stars: Yoo Ah-in, Steven Yeun, Jeon Jong-seo
Runtime: 148 minutes
Country: South Korea

Film Rating: ★★★☆☆

Tags: 62nd BFI London Film FestivalBarn BurningBurningHaruki MurakamiJeon Jong-seoLEE CHANG-DONGLFF 2018steven yeunworld cinemaYoo Ah-in
Katie Smith-Wong

Katie Smith-Wong

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