Sunday, June 26, 2022
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
flickfeast
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute
  • Submissions
    • Advertise on Flickfeast
    • Submit a Film
No Result
View All Result
FLICKFEAST
No Result
View All Result
Home Reviews Film Review

LFF 2020 – Mangrove (2020)

Katie Smith-Wong by Katie Smith-Wong
October 7, 2020
in Film Review
LFF 2020 – Mangrove (2020)
14
SHARES
1.4k
VIEWS
Share on FacebookShare on Twitter

Starring Shaun Parkes, Letitia Wright and Malachi Kirby, Mangrove is the first instalment of Steve McQueen‘s Small Axe film series that highlights London’s West Indian community between the 1960s and 1980s. 

Mangrove focuses on the eponymous Notting Hill restaurant, which quickly becomes a hub for local residents and a target of police harassment. The ongoing brutality leads to a local protest in 1970, resulting in the wrongful arrests of nine people. Known as the ‘Mangrove Nine’, the group comprised Mangrove owner Frank Crichlow (Parkes) and activists Altheia Jones-LeCointe (Wright) and Darcus Howe (Kirby). Charged with incitement to riot and affray, the trial begins to investigate the depth of police racism and the groundbreaking actions of the ‘Mangrove Nine‘.

You might also like

Elvis (2022) – Film Review

The Black Phone (2022) – Film Review

Lightyear (2022) – Film Review

From the outset, Crichlow comes across as a man that just wants to run a restaurant. But the ongoing police troubles, led by sadistic constable Pulley (Sam Spruell), fuels his anger in being unable to earn a living. This unwanted attention also inspires activists Jones-LeCointe and Howe to speak out, highlighting that there is more than politics at play.

Although the institutionalised racism by police is not surprising, we are reminded of the sad truth that there is no reason for this behaviour. Pulley firmly paints himself as Mangrove‘s antagonist by inflicting his own form of baseless justice against the community. It ultimately comes across as senseless violence that emphasises the need for justice among the West Indian community. This slowly brews, coming to a head when the Mangrove Nine go to court. Even from the biased jury selection, the film’s collaborative screenplay and beautifully executed scenes highlight the tension and underlying racism within the legal system, so audiences end up yearning for unbiased justice.

Parkes, Wright and Kirby each deliver intense performances that allow their characters to shine amid the face of adversity. Behind the camera, McQueen offers a clear vision in the 1960’s London. While he vividly captures the eclectic buzz of Notting Hill and tense courtroom scenes, he also depicts police brutality with unflinching honesty, effectively instilling an unsettling fear where even homes don’t feel safe.

During a time when Black Lives Matter is more important than ever, there has never been a film more timely than Steve McQueen’s compelling drama. With an array of powerful performances driving the story, Mangrove is as educational as it is essential.

Director: Steve McQueen; Alastair Siddons, Courttia Newland (co-screenwriters)
Stars: Shaun Parkes, Letitia Wright, Malachi Kirby, Rochenda Sandall, Sam Spruell
Runtime: 124 minutes
Country: UK

Film Rating: ★★★★☆

Tags: Alastair SiddonsBFI LFF 2020BFI London Film Festival 2020british filmCourttia Newlandfilm reviewLetitia WrightLFF 2020Malachi KirbyMangroveOpening Film GalaRochenda SandallSam SpruellShaun ParkesSmall AxeSteve McQueen
Katie Smith-Wong

Katie Smith-Wong

Related Posts

Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

by Dallas King
June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

by William Stottor
June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

by Dallas King
June 16, 2022
Swan Song (2021) – Film Review
Film Review

Swan Song (2021) – Film Review

by William Stottor
June 15, 2022
Jurassic World: Dominion (2022) – Film Review
Film Review

Jurassic World: Dominion (2022) – Film Review

by Dallas King
June 11, 2022

Recommended

Sundance Film Festival 2020: Kajillionaire Film Review

Sundance Film Festival 2020: Promising Young Woman Film Review

February 2, 2020

Move Over, Darling (1963)

March 21, 2011

Don't miss it

Father of the Bride (2022) – Film Review
Reviews

Father of the Bride (2022) – Film Review

June 25, 2022
Elvis (2022) – Film Review
Film Review

Elvis (2022) – Film Review

June 20, 2022
The Black Phone (2022) – Film Review
Film Review

The Black Phone (2022) – Film Review

June 21, 2022
Lightyear (2022) – Film Review
Film Review

Lightyear (2022) – Film Review

June 16, 2022
Swan Song (2021) – Film Review
Film Review

Swan Song (2021) – Film Review

June 15, 2022
Jurassic World: Dominion (2022) – Film Review
Film Review

Jurassic World: Dominion (2022) – Film Review

June 11, 2022
flickfeast

Whetting your appetite for cinema with the best film reviews and features since 2009

© Copyright - flickfeast. All Rights Reserved.

No Result
View All Result
  • Home
  • News
  • Reviews
  • Festivals
  • FrightFeast
  • Spotlight
  • Contribute

© Copyright - flickfeast. All Rights Reserved.

Posting....