classic

Powell and Pressburger's 1947 film Black Narcissus is a an epic of Biblical proportions. But the most epic part is not its grandiose sets or the way in which the duo uses colour, it's the breakdown of Kathleen Byron's Sister Ruth.

There's a maze, like in Inception, but the film is not Inception.

Jean Luc Godard once said “Film is truth, 24 frames per second.” Now, I don’t know what that means, but I do know it's wrong. Murder On The Orient Express cannot be truth, because it's made of film, and truth is made of emotions or…

It didn't have any colour and every time someone spoke, the noises came out like letters.

More than any other blockbuster of the 1980s, Ghostbusters has endured for a generation, simply because it’s so damn good.

A fond look back at Sofia Coppola's moving drama, 'Lost in Translation.'

The film was broken when I watched it, because there were no colours.

It's about some rabbits who have ended up in a cartoon, but not a funny one like Aladdin.

50 years on, the world has moved forward, but The Producers remains one of the all time great comedies.

Citizen Kane. Because this week, Film 4 was broken and started showing really old films.