review

Jean Luc Godard once said “Film is truth, 24 frames per second.” Now, I don’t know what that means, but I do know it's wrong. The Matrix cannot be truth, because it's made of film, and truth is made of emotions or something. I also don’t…

Jean Luc Godard once said “Film is truth, 24 frames per second.” Now, I don’t know what that means, but I do know it's wrong. Weird Science cannot be truth, because it's made of film, and truth is made of emotions or something. I also…

Jean Luc Godard once said “Film is truth, 24 frames per second.” Now, I don’t know what that means, but I do know it's wrong. Serenity cannot be truth, because it's made of film, and truth is made of emotions or something. I also…

In a sequel to the billion dollar smash hit, Captain Marvel must complete a series of tasks set by Nick Fury in order to get a real-life unicorn in Unicorn Store. It might sound like a joke Deadpool would make about the MCU but in…

High Flying Bird's Ray Burke is what Jerry Maguire would have been if he hadn’t eaten two slices of bad pizza, gone to bed and grown a conscience.

Velvet Buzzsaw is a late night horror. A piece of Grand Guignol trash. Pure and simple. And what glorious trash it is.

This is art as liberation, as testimony, as painful truth.

If Santa Claus was to check his list twice, after The Christmas Chronicles, Netflix would find itself firmly on the naughty list but Kurt Russell saves it from being a complete turkey with all the trimmings.

It didn't have any colour and every time someone spoke, the noises came out like letters.

33 years after the director’s death and 42 years after the principal photography was finished, Orson Welles’s The Other Side of the Wind was released on Netflix on Friday 2nd of November 2018.