comedy

Writer-director Riley Stearns ("Faults") constructs the offbeat comedy The Arts of Self-Defense with such a biting surge of wryness that the message is quite clear in the satirization of masculinity and all its related toxicity. Stearns…

Jean Luc Godard once said “Film is truth, 24 frames per second.” Now, I don’t know what that means, but I do know it's wrong. Mrs. Doubtfire cannot be truth, because it's made of film, and truth is made of emotions or something. I also…

Tate Taylor, director of The Help and The Girl on the Train, puts on his horror hat for the thrilling and relentlessly entertaining Ma. Octavia Spencer plays Sue Ann, a twisted and lonely woman who befriends a group of teenagers in the…

I told her it was one of those wildlife things by Richard Attenborough. She didn't even notice for the first 30 minutes.

She gets a bit EMO and falls out with her friend, who is way nicer than she is.

The film can do whatever it wants and for the most part, Overlord is a riveting and exciting mix of horror and action.

Like a Big Mac, it’s vaguely enjoyable, but instantly forgettable.

It’s 40 years after the events of 1978’s Halloween and Laurie Strode is still haunted by what happened on that fateful night. But is it scary good? Or scary bad?

More than any other blockbuster of the 1980s, Ghostbusters has endured for a generation, simply because it’s so damn good.

All of Hollywood's under 40s get trapped in the 70s.