True to its title, The Beguiled is a film that will charm you, deceive you, and ultimately captivate you: a...

Mothers always know best; to many it may be a fundamental principle, but try explaining that to 17-year-old Valeria (Ana...

There’s something so cruel about the opening shot of Yorgos Lanthimos’ The Killing Of A Scared Deer. It’s of a...

The Square represents stability and order; a space in which “everyone has equal rights and responsibilities.” Inevitably though, the area...

Like it was for Julia Ducournau in 2016, the Cannes Critic’s Week sidebar has this year proven to be the...

Forget being wonderstruck, the new film from Todd Haynes is more likely to grip you with a gnawing sense of...

While the majority of critics cruising the Croisette continue to debate the pros and cons of the Netflix distribution model,...

Vanessa Redgrave’s decision to make her directorial debut at 80 years of age wasn’t born out of creative curiosity, but...

Russians – their motherland is so cold, and so are the people… Loveless, director Andrey Zvyagintsev’s frosty procedural drama, is...

Cannes’ decision to open this year’s festival with Ismael’s Ghosts seems strange to say the least; the execution being so...